107年「故事新編:閱讀與寫作工作坊」錄取成員

朱O (台藝大電影)

林O心 (台大中文)

林O漢 (台大中文)

林O琳 (台大歷史)

林O傑 (台大戲劇)

李O涵 (台大中文)

李O銖 (台大戲劇)

鄭O元 (台大中文)

鄭O豪 (師大國文)

戴O旭 (北藝大劇創)

蕭O維 (北教大語創)

 

(本工作坊由史語所個別研究人員申請之科技部計畫提供支持,非數位人文學研究室主辦。)

 

 

一、主旨:

  每一代寫作者都在「故事」中尋找新的故事。

  本工作坊由科技部「數位人文計畫案」支持,我們要徵求對閱讀史料與創意寫作同感興趣的學員,適時借用數位人文工具,對歷史事件或小說故事提出重寫與改編方案。以魯迅著作《故事新編》為名,即意圖宣稱本計劃不只是照本宣科的史料重寫,更有意挪用此一詞彙負載的豐富意涵:對傳統的召喚,乃至於嘲戲、翻轉和重製。我們如何從這些「故事」中,寫出此時此地的我們,進而讓「故事」面向未來?

 

二、報名資格:

  107學年度註冊在籍之大學生與研究生(畢業一年內亦可)。

 

三、報名資料:

甲、個人簡歷:姓名、在讀學校、聯絡電話及五百字以內自傳。

乙、加入動機:略述對「故事新編」計畫的看法與創作計畫,一千字以內。

兩項資料皆以word檔繕打,並來信報名。信件主旨「甄選故事新編:閱讀與寫作工作坊」Email住址會使用灌水程式保護機制。你需要啟動Javascript才能觀看它

 

四、收件時間:

  即日起至2018828日截止收件。

 

五、甄選名額:

  七名。

 

六、入選公告: 

  8/31前公佈入選名單,並以信件個別通知。

 

七、進行方式:

  一個月一次聚會,時間是每個月底的週五晚間。聚會地點將選在臺北公館週邊書店。第一個月閱讀指定文本,並在聚會中提出閱讀心得。第二個月則必須繳交不限字數的寫作成果,由成員進行討論。活動時間將從20189月至20197月。

 

八、其他規定: 

  本工作坊衍生費用將由計劃經費資助。凡錄取學員須全程參與,兩次未到,即取消資格,不再接受報名。學員須確實閱讀文本,並繳交試寫作品。

 

中研院-數位人文學研究室粉絲頁:https://www.facebook.com/DigitalHumanitiesResearchCenter/

 

 

 

如何在詞語的密林中分類萬物?
——文本標註與關鍵字庫之管理與應用的數位人文學工作坊

時間:2018年6月1日(五)下午14:30~17:00

地點:中央研究院歷史語言研究所研究大樓701會議室

  • 廖宜方(中研院史語所助研究員)
    計畫內容與研究程序的設計
  • 李俊安(政治大學中文所博士班)
    Markus史料標註及與Excel結合的關鍵字庫管理
  • 周永蕙(臺灣大學中文所碩士) 
    Markus標注工作與中研院「數位人文研究平台」之結合應用
  • 胡馨怡(臺灣大學歷史所博士班)
    Markus史料標注與「DocuSky數位人文學術研究平台」的結合應用

 

【專題演講】

      題:基於內容的音頻音樂檢索(Content-based Audio Music Retrieval

演講摘要:隨著網路和多媒體技術的進步,近年來數位音樂益發普及。

                音樂資訊檢索(MIR)技術可以幫助使用者在龐大的音樂收藏中找到想要的曲目,相關的技術令人期待,且已成為重要的研究課題。

                 本次演講將介紹幾種音樂內容處理與識別技術,例如自動音樂標記、情感註解、翻唱歌曲辨識、旋律提取、哼唱式查詢,及這些技術在音樂檢索的應用。

                 With the advancements of the Internet and multimedia technologies, digital music has been gaining in popularity over the past few years.

                 Music information retrieval (MIR) techniques that can help users find the desirable music from the huge amount of music collection are highly desirable and have become important research tasks.

                 In this talk, I will introduce several music content processing and recognition techniques, such as automatic music tagging, emotion annotation, cover song identification, melody extraction,

                 and query by singing/humming, and their applications in MIR.

   人:王新民研究員(資訊科學研究所研究員兼副所長/數位文化中心副召集人)

   人:林富士研究員(本所研究員兼數位文化中心召集人)

       期:2016 7 25 日(週一)下午 200

       點:中央研究院歷史語言研究所研究大樓七樓 704

  報名網址:https://goo.gl/np4YNQ

 

 

7th International Conference of Digital Archives and Digital Humanities 2016

Digital Scholars, an emerging profession

December 1-3, 2016

National Taiwan University, Taipei, Taiwan

http://www.dadh.digital.ntu.edu.tw/en/index

Introduction

In the past few decades, the digitization of cultural heritage has become an integral part of cultural preservation and social development.  More and more humanities disciplines and scholars also acknowledge digital humanities as a critical component in research and education.  Starting from research centers on digital humanities, many universities are also developing educational programs, degrees, and departments on digital humanities.  However, does this imply the arrival of digital scholarship as a new paradigm?

 

The theme of this year’s conference is “Digital Scholar, an emerging profession?”.  We wish to explore the knowledge nature of digital humanities: how it is defined, created, disseminated through the dialogues between humanities and digital technology; how the communities are formed; how the researchers are and should be evaluated and recognized by the scholarly community at large; how and whether digital humanities, as a discipline, is emerging.

 

Call for Papers

Topics of interest

We invite submissions of abstracts relating (but not limited) to the following aspects of digital humanities:

  • Development of digital technologies and their applications to help advancing humanities studies.

  • Interdisciplinary research and humanistic research in literature studies, linguistics, culture, and history that are conducted with digital data and technology.

  • Impact of digital technologies on social, institutional, and cultural aspects, as well as its impact on globalization and multiculturalism.

  • Dialogue and mutual impact between traditional humanities disciplines and digital humanities.

  • Impact of digital humanities on humanities education.

  • Other DH-related topics.

 
Forms of Presentations
  • Posters
  • Full papers
  • Multiple paper sessions and panels (including 3 full papers[at least 3000 words for each paper] + approximately 1000-word overview)

 

Submission Guidelines

  • All submissions are to be done online (website: http://www.dadh-record.digital.ntu.edu.tw/up_index.php?LangType=en&His=BHUGF  ).
  • Submitted abstracts should include title, an abstract of 1,000-3,000 words, 3-5 keywords, as well as the author’s name, affiliation & position, contact number, and email. The papers will be reviewed. Authors of accepted abstracts will be required to submit the full papers by October 1, 2016.

 

Important Dates

  • Abstract Submission Deadline: Midnight Taiwan time, July 15, 2016.
  • Notification of Acceptance: August 15, 2016.

Conference Secretariat

Research Center for Digital Humanities, National Taiwan University, Taiwan

Tel: 886‐2‐33669846

Email: Email住址會使用灌水程式保護機制。你需要啟動Javascript才能觀看它

AddressNo. 1, Sec. 4, Roosevelt Road, Taipei, Taiwan